Things We Do Not Tell the People We Love
巴基斯坦女作家在英国，那些东亚伤痛却又那么似曾相识。
Summer
though she opened her mouth, nothing came; she would never forget the pink petals of the bougainvillea scattering like sad little paper hearts falling in slow motion, nor the headiness of the flowers’ cloying perfume, nor her mother’s spotless white trainers tumbling through the hot air, thick like honey.
The Jam Maker
What I do not tell them is that every time I prepare a pot of thickening berries in my tiny kitchen behind the shopfront, hulling, chopping, boiling, stirring and adding just enough sugar so as to add a hint of something sweet but not so much as to make it sickly, I am reminded of dark things like loneliness and grief; other, emptier things I have not yet learnt to put a name to. People imagine my life is pretty.
Superstitious
The stars look like pennies scattered in the sky, and for some reason, in my delirium, I think of that gnarly tree I touched so many years ago, the bark silver like the moon, and I think of unborn babies crying and hair pinned into the earth, tangled in the soil, and I think of you, face-down in the snow, and I feel as though I have nothing left in me. In a moment of clarity, I realise the crying I can hear is coming from me. At
At some point it is over, it is done. I’ve laid down my burden as your not-quite widow and with it, every last trace of you is gone
Waterlogged
Outside the sky was the colour of a silver coin, tarnished at the edges. The rain fell in flat cold sheets.
李贺全集
除了本来就很喜欢的那些，最喜欢的是《苦昼短》和《苏小小墓》
李贺全集
（闵泽平 编）
九月
离宫散萤天似水，竹黄池冷芙蓉死。
月缀金铺光脉脉，凉苑虚庭空澹白。
露花飞飞风草草，翠锦斓斑满层道。
鸡人罢唱晓珑璁，鸦啼金井下疏桐。
后园凿井歌
井上辘轳床上转，水声繁，弦声浅。
情若何？荀奉倩。
城头日，长向城头住。
一日作千年，不须流下去。
莫种树
园中莫种树，种树四时愁。
独睡南床月，今秋似去秋。
休洗红
休洗红，洗多红色浅。
卿卿骋少年，昨日殷桥见。
封侯早归来，莫作弦上箭。休洗红：乐府古辞有《休洗红》两首：“休洗红，洗多红色淡。不惜故缝衣，记得初按茜。人寿百年能几何？后来新妇今为婆。”“休洗红，洗多红在水。新红裁作衣，旧红翻作里。回黄转绿无定期，世事反复君所知。”
官不来题皇甫湜先辈厅
官不来，官庭秋，老桐错干青龙愁。
书司曹佐走如牛，叠声问佐官来否。
官不来，门幽幽。
浩歌
南风吹山作平地，帝遣天吴移海水。
王母桃花千遍红，彭祖巫咸几回死。
青毛骢马参差钱，娇春杨柳含细烟。
筝人劝我金屈巵，神血未凝身问谁。
不须浪饮丁都护，世上英雄本无主。
买丝绣作平原君，有酒唯浇赵州土。
漏催水咽玉蟾蜍，卫娘发薄不胜梳。
看见秋眉换新绿，二十男儿那刺促。
苦昼短
飞光飞光，劝尔一杯酒。
吾不识青天高，黄地厚。
唯见月寒日暖，来煎人寿。
食熊则肥，食蛙则瘦。
神君何在，太一安有。
天东有若木，下置衔烛龙。
吾将斩龙足，嚼龙肉。
使之朝不得回，夜不得伏。
自然老者不死，少者不哭。
何为服黄金，吞白玉。
谁是任公子，云中骑白驴。
刘彻茂陵多滞骨，嬴政梓棺费鲍鱼。
秦王饮酒
秦王骑虎游八极，剑光照空天自碧。
羲和敲日玻璃声，劫灰飞尽古今平。
龙头泻酒邀酒星，金槽琵琶夜枨枨，洞庭雨脚来吹笙。
酒酣喝月使倒行，银云栉栉瑶殿明，宫门掌事报一更。
花楼玉凤声娇狞，海绡红文香浅清，黄鹅跌舞千年觥。
仙人烛树蜡烟轻，清琴醉眼泪泓泓。
苏小小墓
幽兰露，如啼眼。
无物结同心，烟花不堪剪。
草如茵，松如盖。
风为裳，水为珮。
油壁车，夕相待。
冷翠烛，劳光彩。
西陵下，风吹雨。
月漉漉篇
月漉漉，波烟玉。
莎青桂花繁，芙蓉别江木。
粉态裌罗寒，雁羽铺烟湿。
谁能看石帆，乘船镜中入。
秋白鲜红死，水香莲子齐。
挽菱隔歌袖，绿刺罥银泥。
大堤曲
妾家住横塘，红纱满桂香。
青云教绾头上髻，明月与作耳边珰。
莲风起，江畔春；大堤上，留北人。
郎食鲤鱼尾，妾食猩猩唇。
莫指襄阳道，绿浦归帆少。
今日菖蒲花，明朝枫树老。
梦天
老兔寒蟾泣天色，云楼半开壁斜白。
玉轮轧露湿团光，鸾佩相逢桂香陌。
黄尘清水三山下，更变千年如走马。
遥望齐州九点烟，一泓海水杯中泻。
其他摘句
天高庆雷齐堕地，地无惊烟海千里。
东家蝴蝶西家飞，白骑少年今日归。
垂帘几度青春老，堪锁千年白日长。
花袍白马不归来，浓蛾叠柳香唇醉。
金鹅屏风蜀山梦，鸾裾凤带行烟重。
马周昔作新丰客，天荒地老无人识。
空将笺上两行书，直犯龙颜请恩泽。
我有迷魂招不得，雄鸡一声天下白。
少年心事当拿云，谁念幽寒坐呜呃。
为君挑鸾作腰绶，愿君处处宜春酒。
东方日不破，天光无老时。
丹成作蛇乘白雾，千年重化玉井土。
当时飞去逐彩云，化作今日京华春。
今朝香气苦，珊瑚涩难枕。
潘令在河阳，无人死芳色。
无人柳自春，草渚鸳鸯暖。
昆山玉碎凤凰叫，芙蓉泣露香兰笑。
漆炬迎新人，幽圹萤扰扰。
凄凉桅子落，山璺泣清漏。
桂叶刷风桂坠子，青狸哭血寒狐死。
古壁彩虬金帖尾，雨工骑入秋潭水。
百年老鸮成木魅，笑声碧火巢中起。
谁知泥忆云，望断梨花春。
裙垂竹叶带，鬓湿杏花烟。
玉冷红丝重，齐宫驾妾鞭。
草细堪梳，柳长如线。
江南有情，塞北无限。
梦入家门上沙渚，天河落处长洲路。
愿君光明如太阳，放妾骑鱼撇波去。
两事向谁道，自作秋风吟。
吾闻壮夫重心骨，古人三走无摧捽。
惨阴地自光，宝马踏晓昏。
腊春戏草苑，玉挽鸣辚。
绿网缒金铃，霞卷清地漘。
空将汉月出宫门，忆君清泪如铅水。
衰兰送客咸阳道，天若有情天亦老。
携盘独出月荒凉，渭城已远波声小。
堂堂复堂堂，红脱梅灰香。
十年粉蠹生画梁，饥虫不食摧碎黄。
蕙花已老桃叶长，禁院悬帘隔御光。
华清源中礜石汤，徘徊白凤随君王。
思焦面如病，尝胆肠似绞。
京国心烂漫，夜梦归家少。
发轫东门外，天地皆浩浩。
青树骊山头，花风满秦道。
狭行无廓落，壮士徒轻躁。
何须问牛马，抛掷任枭卢。
光洁无秋思，凉旷吹浮媚。
竹香满凄寂，粉节涂生翠。
草发垂恨鬓，光露泣幽泪。
层围烂洞曲，芳径老红醉。
梦中相聚笑，觉见半床月。
长思剧循环，乱忧抵覃葛。
无情有恨何人见，露压烟啼千万枝。
男儿何不带吴钩，收取关山五十州。
刺香满地菖蒲草，雨梁燕语悲身老。
三月揺杨入河道，天浓地浓柳梳扫。
漆灰骨末丹水砂，凄凄古血生铜花。
白翎金簳雨中尽，直余三脊残狼牙。
大漠沙如雪，燕山月似钩。
何当金络脑，快走踏清秋。
行人临水别，陇水长东西。
北中寒
一方黑照三方紫，黄河冰合鱼龙死。
三尺木皮断文理，百石强车上河水。
霜花草上大如钱，挥刀不入迷蒙天。
争瀯海水飞凌喧，山瀑无声玉虹悬。
宫官烧蜡火，飞烬污铅华。
六宫不语一生闲，高悬银牓照青山。
长眉凝绿几千年，清凉堪老镜中鸾。
谁家红泪客，不忍过瞿塘。
撒马尔罕的金桃——唐代舶来品研究
第三章 家畜
马是一种贵族动物，除了对于地主来说具有的实用价值之外，它在古时候还具有更高的特殊的地位。古代的种种传说使马这种动物罩上了一层神圣的色彩，它不仅被赋予了奇异的品性，而且显然被印上了出自神种的烙印。有一则将马神化的神话传说中称，马是龙的近亲，而龙则具有与水的神秘力量近似的神力。
第五章 飞禽
当鹦鹉象征着为丈夫的利益而牺牲自己利益的新娘，或者是为了主人的利益而牺牲个人利益的仆人时，牺牲自由或许就是无偿的或是出于利他的目的。从另一方面来说，美丽的羽衣——这是其主人的自负的根源——会使它被捕捉，被禁闭，而这也正是它的大不幸。
第九章 食物
经过博学的医师，尤其是经过道士精心研究过的每一种食品都兼有医疗的作用。对于道士而言，饮食与养生尤其具有密切的关系，他们的目的是要使人延年益寿、青春常驻。
第十一章 药物
孙思邈是中世纪最优秀的医生的楷模。
孙思邈的一位门徒也在医药界享有盛誉。他就是孟诜。孟诜一生中，尤其是在武后统治时期曾经担任过多种官职，这一点与他的老师是大相径庭的。
陈藏器详细而又审慎地记录了唐代物质文化的许多方面的内容，这些记载虽然与医药没有直接的关系，但是对于我们来说，却有很高的价值。《本草拾遗》就是陈藏器撰写的一部伟大的著作。
最初的《神农本草》正本将药物分作“三品”，这种分类法体现了鲜明的道教色彩：其一为“上品”，上品药可轻身延年，如朱砂、石青、云母、仙芝、茯苓、人参、麝香、牡蛎都属于上品药；其二为“中品”，中品药可滋补抗病，像雌黄、雄黄、硫黄、生姜、犀牛角以及鹿茸之类都属于中品药；其三为“下品”，下品药是一些有毒的，只能用来治病的药物，例如赭石、铅丹、铅粉、狼毒乌头、蛙以及桃仁都被归为第三品。
第十三章 颜料
除了白色之外，长安宫廷里的织工公认的有五种官方确定的颜色：青、绛、黄、皂、紫。
第十五章 宝石
指深蓝色宝石的“瑟瑟”（古汉语的发音是“*ṣDt-ṣDt”）这个词，通常就是指“天青石”（lazurite）。
欧美现代派作品选
（骆嘉珊 编）
表现主义
奥尼尔则认为人生是“一个永恒悲剧”，进行着“导致自我毁灭的斗争”，他作品中所表现的，隐藏在主人公背后的那种不可思议的神秘力量，应该说都是这种悲观主义、神秘主义思想的反映
表现主义者认为，艺术不是对现实生活的反映或再现，而是艺术家先于经验的主观自我表现和潜意识的发泄
新小说派
以反传统小说为其宗旨的“新小说”派，在创作上主要有以下几个特点：第一，不注重塑造人物形象和人物性格的刻划。在“新小说”派的作品里，人物已经丧失了一切权利，不再是故事的中心
第二，由于“新小说”派否定人物在作品中的地位，取消人物形象的塑造与性格的刻划，因此就必然强调对自然景物和环境实物的描写，而且这种描写极其琐碎而又繁复。因为，照他们看来，现实生活既然只是一个“物的世界”
新浪潮和现代派电影
也曾被法国人民视为法奸而剃光头发关
黑色幽默
用喜剧手法处理社会悲剧的内容，是“黑色幽默”的审美特性之一。
普通语言学教程
突然开始想读索绪尔（其实是因为两年前买的丸山一直没读）
Course in General Linguistics
（Ferdinand de Saussure）
The Scope of Linguistics
The scope of linguistics should be: a) to describe and trace the history of all observable languages, which amounts to tracing the history of families of languages and reconstructing as far as possible the mother language of each family; b) to determine the forces that are permanently and universally at work in all languages, and to deduce the general laws to which all specific historical phenomena can be reduced.
Language and Speech
from the very outset we must put both feet on the ground of language and use language as the norm of all other manifestations of speech.
Language is speech less speaking. It is the whole set of linguistic habits which allow an individual to understand and to be understood.
To summarize, these are the characteristics of language:
1) Language is a well-defined object in the heterogeneous mass of speech facts. It can be localized in the limited segment of the speaking-circuit where an auditory image becomes associated with a concept. It is the social side of speech, outside the individual who can never create nor modify it by himself; it exists only by virtue of a sort of contract signed by the members of a community.
2) Language, unlike speaking, is something that we can study separately.
3) Whereas speech is heterogeneous, language, as defined, is homogeneous. It is a system of signs in which the only essential thing is the union of meanings and sound-images, and in which both parts of the sign are psychological.
4) Language is concrete, no less so than speaking; and this is a help in our study of it. Linguistic signs, though basically psychological, are not abstractions; associations which bear the stamp of collective approval.
The Linguistic Sign
Principle I: The Arbitrary Nature of the Sign
The bond between the signifier and the signified is arbitrary. Since I mean by sign the whole that results from the associating of the signifier with the signified, I can simply say: the linguistic sign is arbitrary.
Principle II: The Linear Nature of the Signifier
The signifier, being auditory, is unfolded solely in time from which it gets the following characteristics: (a) it represents a span, and (b) the span is measurable in a single dimension; it is a line.
replace concept and sound-image respectively by signified [signifié] and signifier [significant]
retain the word sign [signe] to designate the whole
1) The linguistic entity exists only through the associating of the signifier with the signified. Whenever only one element is retained, the entity vanishes.
2) The linguistic entity is not accurately defined until it is delimited, i.e. separated from everything that surrounds it on the phonic chain. These delimited entities or units stand in opposition to each other in the mechanism of language.
Immutability and Mutability
- Immutability
The signifier, though to all appearances freely chosen with respect to the idea that it represents, is fixed, not free, with respect to the linguistic community that uses it.
- Mutability
Time, which insures the continuity of language, wields another influence apparently contradictory to the first: the more or less rapid change of linguistic signs.
Synchrony and Diachrony
synchronic and diachronic linguistics.
The methods of diachrony and synchrony also differ, and in two ways. (a) Synchrony has only one perspective, the speakers’, and its whole method consists of gathering evidence from speakers; to know to just what extent a thing is a reality, it is necessary and sufficient to determine to what extent it exists in the minds of speakers. Diachronic linguistics, on the contrary, must distinguish two perspectives. One of these, the prospective, follows the course of time; the other, the retrospective, goes back in time.
Synchronic study has as its object, not everything that is simultaneous, but only the totality of facts corresponding to each language.
diachronic linguistics not only does not need but even rejects such specialization; the terms that it studies do not necessarily belong to the same language.
Geographical diversity should be called temporal diversity.
Value and Opposition
Within the same language, all words used to express related ideas limit each other reciprocally; synonyms like French redouter ‘dread,’ craindre ‘fear,’ and avoir peur ‘be afraid’ have value only through their opposition: if redouter did not exist, all its content would go to its competitors.
In internal linguistics the picture differs completely. Just any arrangement will not do. Language is a system that has its own arrangement.
Analogy and Other Concepts
An analogical form is a form made on the model of one or more other forms in accordance with a definite rule.
Analogy is psychological, but this does not suffice to separate it from phonetic phenomena, for they may also be considered psychological.
all definitions of words are made in vain; starting from words in defining things is a bad procedure.
九王夺嫡
甄嬛配套书籍，找了一天wfh摸鱼看的。也难怪雍正敏感多疑了。
只做了手写笔记。